FOR GREAT PATRONAGE

The short version: WOAH CHECK THIS OOOOUT!

The long version: I talk about money some times.  Yeah, yeah.  Do art for the love of art.  Well, it’s kind of hard to work to fulfill your dream all of the time when you’re spending half of your life working to fulfill some one else’s, and half of the rest of your time recovering from doing so, with the other regular responsibilities of living to boot.  In other words, working for some one else to make money to live really puts a damper on artistic endeavors.  But most artists have to live this way, so why do I deserve to live off of my art?  Well, I guess that I don’t, but it sure would be nice.  And, hey, I don’t think that I’m a special case.  All complicated art is work, and I think that all artists should be able to live off of their work.  If you agree, you should check out Patreon.  It’s a web site that is similar to Kickstarter, but it’s not about kick-starting any specific project.  It’s a place where people can set up recurring donations with the idea that artists can get regular income and be regularly inspired to produce new material.  Patrons can donate as little as one dollar per month, and in return get exclusive access to what ever the artist lists as recurring rewards.  It encourages a more personal exchange between artists and fans also, which I find lacking in today’s society.  So check it out, and, please, if you delight in the idea of Shyft being able to write books and music for a living, contribute what you can here.  It’s not just for me and the fans of my work, but for Shyfted Minds as a record label and the other artists on here, for future artists of SHM, as promotion and producing all of the releases all takes time and money that I rarely can afford.

Even longer: school’s over and I have a degree, but it’s a BS degree that’s kinda intended for use with a doctorate that I don’t have.  What I do have, that came as an added bonus to my degree, is a load of debt to the government.  Hey.  I couldn’t get a job at the time, so loan-funded school/living expenses was my only option.  In order to make minimum payments and still be financially secure, I need to get a pretty well-paying job… or work more than one full time job.  This comes down to actually landing some thing with my degree, being over-stressed by the service industry, and/or never having time for art and hating my self.  Yes, I’d probably feel fulfilling for me to work as a research associate or a low-end counselor, and I live in an area with a decent job market, but it’s not what I want my energy put toward.  Getting a stable income of, say, five hundred dollars per month for my art would make a huge difference.  I could work some mindless full time job where I’m able to exercise my body and listen to music, and not be very mentally fatigued by the time that I get home every day- I could still regularly work on stories and music.

Yes.  The life of an artist is a struggle.  Does it ought to be a struggle?  I understand that there are plenty of people out there who are dysfunctional without good art in their lives, and they are also quite poor, and I would rather they get the art that helps them for free.  I also understand that there is already plenty of art available from people far richer than I and more motivated, more willing to sacrifice than I am, but that doesn’t mean that artists like my self should die off.  Good art is some thing that the world can’t get enough of, just as it can’t get enough well-educated pioneers of thought (there’s a similarly shameful problem with the education system in this country).  I fancy the idea of making a living off of my art so that I can love my job, so that I can fully embrace my true identity, and so that, some day, I might be able to vigorously patronize many other great yet struggling artists out there.

Oh. Yeah. Synth Exp 6 came out.

This Shyft release is a special one. Why did it take me weeks to update the Shyfted Minds site to reflect it, then? Well, because I MOVED TO DENVER FROM MINNEAPOLIS! But, that only takes a day of driving and, like, two days of getting the new apartment situated. YEAH. AND I GOT IN TO THIS REALLY GOOD GROOVE OF JOB HUNTING AND WRITING MAH BOOK! Okay, so I can be disorganized some times.

Either way, here it is! The sixth installment of the Synthetic Experiments series is the greatest experiment yet! I’d tell you all about it, but there’s no sense in paraphrasing the description on the release page, if you just going to see the original text soon any way. Just know that it’s two beefy tracks that are only a little comfortable with being called ‘psy-gabber’ and click on the image above. Oh. And it’s an other free release. It combines many of my favorite styles, which, to some, clash, so it needs all of the ease of access that it can get!

Scorpyd’s Bleed Yourself is here

-so click the image above to get your cyber hands on it. That’ll link ya to Google Play, because I favor Google and prefer their layout to, say, Beatport, but you can look it up on Beatport, Spotify, Itunes, et cetera and find it at those locations too. And, if you’re really lazy, below is a Youtube stream of the title track! Drum is loud. Drum goes boom. Other synthetic instruments do their things. Yeah!

2xFree_Synth_Exp

Yep, Shyft’s fourth installment of Synthetic Experiments is finally available!  SLOW BUT SURE.  RIGHT?  And, as a special treat, K.H.D. has made his first contribution to the Synthetic Experiments project, and this fifth volume is also now ready to be heard!  These two stand out in other ways, though: they are being released on Bandcamp early, before retail releases, and they are both available on Bandcamp for FREE.  Money is accepted and appreciated of course, but you can input an amount of zero to bypass payment.  I still want Shyfted Minds to be remembered as offering free music, and, with this Shyft release being one of the least DJ friendly to date, I’d really like to make sure that people just have the chance to have and listen to the unconventional oddness when ever and where ever they please.  Hit the images above to get your cyber fingers dipped in to these!

Shyft’s release will hit digital retailers on May fifth and K.H.D.’s will hit may ninth.  Since Bandcamp is right here, this is mainly important for Spotify streaming, I imagine.  Speaking of other outlets, click here to see K.H.D.’s video for Lebe Jetzt!.

Stay tuned!  Scorpyd also has a new release in the mastering phase, Shyft has two other Synthetic Experiments volumes near completion, one focusing on psychedelic trance influence and the other on industrial horror atmospheres.  He’s also reviving an old, instrumental epic within the realm of Red Ankh…

Predaking’s The Evil Earth EP is now complete and within your reach!

It’s been a long time since the artist behind this project has used the Predaking name, having worked under Divebomb for a couple years in stead; the fast-paced melody monster is back (with chip tune influence)! Click the image above to down load this four track release for free.

In other news, Shyft’s fourth installment of Synthetic Experiments might actually get its finishing touches soon (only like four hours worth of work is left on the release as a whole).  Shyft blames stress, lethargy, and getting his mundane life in order for the delay, but spring time is promising!  The prospect of working on music is starting to sound enticing again, and with a four-year university degree out of the way, Shyft should have more time to work on what’s really important.

Also, if you haven’t seen it yet, press play on the official music video for K.H.D.’s Lebe Jetzt!

K.H.D.’s album Hybrid is now available!

From the finger tips of the great K.H.D.:

‘Hey guys! FINALLY! My new album is ready for download!
15 tracks in total.
What styles?
Melodic Gabber? OF COURSE!!!
Harsh Gabber/Hardcore? HELL YEAH!
Trance? YES!
Drum And Bass? YEPP!
Ambient? A little bit.
Dubstep? Hell No.’

Click the cover image above to go straight to this free master piece. It is most excellent!

In other news, Predaking and Shyft have both been sick, so there have been delays on the new Predaking release and Synthetic Experiments 4 and 5 (which are both pretty close to being finished, damn it!). But, hey, slow and steady is how we roll around here. Such is the life of the committed rock non-star.

“O”

Remember three years ago when Shyft was gonna publish a fourth book? Of course you don’t! Well, it was intended to be my summer project then. Then a thing happened and I was overcome with sadness. Almost a year later I had recovered, and an other summer was upon me. Then a thing happened and I was overcome with sadness. Almost a year later I had recovered from that too, and an other summer was upon me. But I had gotten a real person job, and it was stressing me the hell out, and I was just generally overwhelmed with trying to be a real person adult. But during those years I did manage to get the book edited a third time and get most of the formatting for the print book, including the cover art and the sound track, finished! And now, well, now it is ALL FINISHED.

BEHOLD! The first three books are complete stream of consciousness in a world of dreams, and begin as the stream of consciousness of a United States of American teenager growing up in the early two thousands. Doesn’t get any more messy than that. Right? That coupled with the heavy dose of metaphysical philosophy makes for a challenging read, so I didn’t blame readers who found the beautiful supporting characters or their compelling conflicts to be unapproachable. That’s part of why I love the thing, to be honest, but this one is different! Metaphysics takes a back seat to ethics! The story is told by a clear and concise third-person narrator! No wading through pages upon pages of inner monologue! The world is much more concrete also, with more familiar limitations on physics. This is a conflict between a god, his nobles, and the mortals below, but the real battle occurs between justice and compassion, with all players being on a side of right with a different banner. You wanna know what the cool part is? I didn’t even realize that duality while I was writing the damned thing!

Any way, check it out by clicking the book image above or here.

Red Ankh does the folk metal thing

The reboot of Red Ankh Green just won’t happen for a while, due to the sad fact of time restraints. In its stead, we have the Little Green EP! No, it’s not just the few tracks from Green that were managed to be finished; it’s three brand new tracks and one gabber remix (cause that’s what we do here). The first track is vocal heavy, lyrically expounding on the essence of folk metal in general. It is more reserved than the others in a technical sense. The second and third tracks are both instrumentals focusing on Germanic folk influences and Caribbean folk influences, respectively. Ever wanted to hear a metal track full of steel (or pan, considering your frame of reference) drums? Well, Red Ankh sure as hell did. If you’re over there going, ‘The hell is a steel drum or a pan drum? Aren’t all modern drums made with steel and are more or less pan-shaped?’ Well, YOU FOOL- remember those plinky, bright staccato instruments in half of the up-beat tunes in Super Mario World? No, not the piano. Yes, that other thing. That was a MIDI-style synthetic version of a steel drum.

Any way… K.H.D. of course is the remix artist on this one, as medieval melodies are his thing. The album art is all eight-bitty because I’m pretty sure my love of folk metal was directly influenced by old-school fantasy adventure and role-playing video game sound tracks. That, and may be I missed my old, crappy pixel art and may be I wanted to give it an other go. You’ll notice that the release date differs from this post date. This is because most folk metal belongs during autumn, the non-remix tracks were all ready to ship in autumn, and I do what I want! It’ll be up on Spotify and stuff in a couple weeks or some thing.

IN OTHER NEWS, K.H.D.’s new massive release is all complete now; we’re just waiting for the cover art. Predaking is returning with a new release, which very well may be ready next week’s end. As you can see, we’re rather relaxed about release dates around here. We’re an organic organization with digital hearts! Or some such nonsense.

Welcome Knifeman, artist of hard core and industrial

Allow me to present Knifeman from Poland and his first Shyfted Minds release, the Pure Evil EP. It begins as you might expect, with some heavy gabber, but so slow? Wait- is that waltz timing? Some thing is clearly different here. And then after the ballad of distortion is over, industrial hard core becomes electro industrial (or terror EBM, or what ever the kids are calling the harshest and darkest of industrial genres descended from synth pop and factory noises these days). Knifeman comes to us with some thing special, out of the ordinary for SHM, and he’s not alone. Among these four tracks are guest vocals by Szyn Jebiasza, collaboration with FL FAN, and Knifeman’s take on Jura’s ‘Case’. Click the image above and say ‘Pozdrowienia!’ to the new kid on the block.